Grace and Grit: Apeksha Niranjan Mundargi’s Journey in Bharatnatyam
- Anonymous
- Dec 17, 2024
- 6 min read

Apeksha Niranjan Mundargi, a distinguished Bharatnatyam dancer, choreographer, and teacher from Mumbai, has captivated audiences with her exceptional talent and dedication. Trained under the legendary Dr. Sucheta Chapekar and Dr. Alka Lajmi, she holds a Master’s degree in Bharatnatyam and has earned numerous prestigious awards, including the National Best Performer Award. Apeksha, a graded artist of Mumbai Doordarshan, is celebrated for her mastery of the Tanjavur tradition and the Nritya-Ganga dance style.
In an exclusive interview with Style Essentials, she shares her inspiring journey and insights into the world of classical dance.
Can you share with us your earliest memory of dance and how you first became interested in Kathak and later Bharatnatyam?
I have loved dance forever. Even as a very young girl, I adored the classical dances shown in Bollywood movies. I danced whenever and wherever I got an opportunity. My mother noticed this and enrolled me in a Kathak dance class. There was a Bharatnatyam class there too. Seeing the dance form, I felt drawn to it and realized my true passion lay in this art form.
What was it about Bharatnatyam that captured your heart and made you shift your focus from Kathak?
The precise body movements, expressive eye gestures, rich storytelling, and captivating Carnatic music all drew me towards Bharatnatyam, making me fall in love with it completely.
You’ve trained under renowned gurus like Dr. Sucheta Chapekar and Dr. Alka Lajmi. How have their teachings shaped your approach to Bharatnatyam?
Each Guru has significantly shaped my approach. I learned the Nrityaganga style with Dr. Sucheta, which helped me understand that dance is visual poetry where all elements must synchronize for a good performance. Dr. Alka Lajmi taught me to research a song thoroughly—its history, mythology, and other references—before choreographing.
Can you tell us more about your experience learning the NrityaGanga dance style and how it has influenced your performances?
It was a rewarding experience that helped me understand and appreciate the synthesis of Hindustani classical music and Bharatnatyam. This contributed to my creativity, allowing me to choreograph Bharatnatyam on different kinds of music.
Moving from Kolhapur to Mumbai must have been a significant transition. How did this move impact your dance journey and career?
Mumbai is different in many ways, and this move seemed challenging, but it enriched me. I had to unlearn and relearn many aspects of Bharatanatyam, ultimately helping me become a better dancer and teacher.
How do you balance your roles as a dancer, choreographer, and teacher while also managing your personal life?
I juggle roles and try my best to balance each one. Sometimes I have to give up fun time or social engagements to put in the extra effort when required. Ultimately, dedication and focus have worked for me.
Your upcoming recital “Nayanam” explores the emotions and expressions conveyed through the eyes. What inspired you to choose this theme?
The language of the eyes is universal, transcending boundaries and connecting with audiences on a profound level. This inspired me to create a piece focused on the eyes, aiming to communicate emotions and narratives without the need for words.
How do you approach the creative process of choreographing a new piece, particularly one as intricate as “Nayanam”?
The creative process is continuous and multifaceted. I began with the core idea, then collaborated closely with musicians to convey my vision. We recorded the music and refined it over time. In “Nayanam,” I paid special attention to the Tillana and Alarippu, ensuring that every element aligns with the theme and enhances the overall performance.
What advice would you give to young dancers who are just starting their journey in classical dance?
Dedicate yourself to consistent practice and immerse yourself fully in the art form. It’s beneficial to learn the entire style from one guru to ensure a comprehensive and cohesive understanding of the dance. This will help you develop a strong foundation and a deep appreciation for the nuances of the tradition.
How important is it for aspiring artists to find and work with the right mentor, and what qualities should they look for in a guru?
Finding the right mentor is crucial for aspiring artists. A mentor with a significant body of work, extensive experience, and a genuine love for teaching can profoundly impact your growth. I have been blessed to have such qualities in my gurus, and I encourage students to look for these attributes when choosing their own mentor.
What are some of the biggest challenges you’ve faced in your dance career, and how did you overcome them?
One of the biggest challenges was finding the right guru in Mumbai. Balancing motherhood with my own dance education and managing my dance career was also demanding. I overcame these challenges through perseverance, careful time management, and unwavering dedication to my art. The support of my family and the guidance of my gurus played a crucial role in helping me navigate these difficulties.
Could you share a moment from your career that you consider a turning point or a significant achievement?
During COVID, I was approached by many renowned institutes for online performances. I was also invited to perform for the DAP festival in Italy, and I was the first Indian to perform there. These two moments are significant achievements for me.
Bharatnatyam has a rich cultural heritage. How do you see your role in preserving and promoting this traditional art form in today’s world?
I see my role as both a preserver and a promoter of Bharatanatyam. By staying true to its traditional roots while also exploring innovative interpretations, I aim to keep the art form relevant and accessible to contemporary audiences. Through teaching, performing, and choreographing new pieces, I strive to inspire the next generation of dancers and share the beauty and depth of Bharatanatyam with a wider audience.
How do you incorporate contemporary elements into your performances while staying true to the classical roots of Bharatnatyam?
I incorporate contemporary elements such as Marathi saints’ songs in Keertan Rang, Gregorian chants in Poland, or Surdas bhajans in “Nayanam.” However, I ensure that the traditional aesthetics of Bharatanatyam are meticulously maintained. This blend of contemporary influences with classical foundations allows the art form to evolve while preserving its rich heritage.
Dance is often described as a form of meditation and expression. What does Bharatnatyam mean to you personally?
For me, Bharatanatyam is a form of meditation where I can lose myself completely in the dance. It also serves as a source of inspiration, motivating me to create more.
How do you stay inspired and continually push the boundaries of your artistry?
Every experience that moves me becomes a story to be presented through Bharatanatyam, allowing me to express my deepest emotions and connect with others on a profound level.
What future projects or themes are you excited to explore in your dance journey?
I am thrilled about an upcoming project: “Buddha—the Awakened One,” in the Buddha Dance Festival in Seoul. Exploring the theme of Buddha through Bharatanatyam promises to be an enriching journey. Delving into the spiritual and philosophical aspects of Buddhism through dance is both challenging and deeply rewarding. I look forward to infusing Bharatanatyam with the timeless wisdom and serenity associated with Buddha, creating a performance that resonates with audiences in Seoul.
How do you envision the evolution of Bharatnatyam and its relevance to future generations?
I see Bharatanatyam evolving by preserving its traditional essence and integrity while embracing some contemporary influences, ensuring its relevance for future generations and its evolution.
What message would you like to convey to your audience through your performances, especially with “Nayanam”?
Through performances like “Nayanam,” I aim to convey that the eyes speak volumes, expressing emotions and stories where words fall short. They are the windows to the soul, deserving our utmost respect and care. Let’s cherish our eyes, recognizing their significance even as we empathize with those who face challenges with sight, understanding the profound yearning for vision that transcends physical barriers.
How can the public support and engage with classical arts to ensure their continued growth and appreciation?
Supporting classical arts is vital for keeping them alive. Explore art forms to see what you like. Ask an acquaintance or a friend or attend a class to help you understand and appreciate the art form. Attending performances, spreading the word, and buying tickets or artwork directly support artists. Volunteering at events and educating others also play a crucial role in keeping these art forms thriving.
Apeksha Niranjan Mundargi will be performing on June 14th, 2024, at 7:00 PM at the India Habitat Centre in Delhi. Join her for an evening of captivating Bharatnatyam dance and storytelling.
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