At Method Kala Ghoda, Aditiya Singh’s new exhibition, Where is Jennifer? , unfolds less like a thematic show and more like a stream of thought made visible. The question in the title isn’t a mystery to solve; it’s the starting point for a body of work that moves between humour, fixation, instinct, and the quiet chaos that fuels an artist who paints because he has to. The works drift between acrylic, ink, and watercolour, but what stands out is the way figures seem to appear a