In Bhubaneswar, architecture studio Archohm has completed The Shuttle, a badminton academy situated near the renowned Kalinga Stadium whose built form is a direct and deliberate visual reference to the sport it houses. The building's deep amber-orange bowl-shaped envelope, which can be seen from a significant distance above the surrounding treeline, draws its formal inspiration from the cork base of a shuttlecock. The reference is not subtle, and it is not meant to be. The pr

Sattva is a 1,800-square-foot high-rise residence in Mumbai designed by Vidhi Duggad Bhagat of The Blue Wall Studio, where the design brief was shaped entirely by what the apartment looks out onto: sweeping 360-degree views of the city skyline meeting the sea. The decision made early in the project was to build the interiors around that condition rather than in spite of it. Every material choice, every furniture selection and every spatial decision works toward the same end:

That Design Studio, led by principal designer Piyusha Upadhyay, has completed Seré Resort in Vagator, Goa, a 30,000-square-foot hospitality project that marks the studio's first built work. For a debut, the scale and ambition are considerable, and the images make clear that the execution has kept pace with both. Vagator is a specific kind of Goa. Less commercial than Calangute or Baga, more considered in its pace, it attracts a traveller who is looking for something quieter w

In Delhi, a 9,500-square-foot residence designed by Disha Subramaniam, founder and principal of her eponymous studio, takes a deliberate position against the kind of interior that reads as assembled in one sitting. The brief was clear from the outset: the house had to feel layered, its character built as though accumulated through years of inhabitation rather than delivered complete by a single design intervention. That intent shapes every room, every material choice, and eve

In Banjara Hills, a short walk from KBR National Park, TEVA Architects has completed Jolly Bros & Co, a 3,000-square-foot café that takes the Irani joints of mid-century Mumbai as its direct reference point. The project started with research. Principal architect Vamsi Ballepu and the client team travelled to Mumbai and spent time in establishments including Café Mondegar, Leopold Café, Britannia & Co., Café Universal and Jimmy Boy before a single design decision was made. The

At Ashoka University, a new bamboo pavilion titled The Hungry Caterpillar introduces an alternative way of thinking about campus infrastructure, material responsibility, and everyday student spaces. Designed by Apoorva Shroff, the project takes the form of a pavilion rather than a conventional building, allowing it to function as both an architectural intervention and a lived-in environment. The pavilion spans approximately 650 square meters and is constructed entirely from b

All Eyes on Me in Bharuch sits inside a structure that already carried some age and texture, so the design team chose not to erase that starting point. The clients were clear about wanting something contemporary but not disconnected from what was already there. With that in mind, the designers kept the exposed brick surfaces, allowing them to set the tone for the rest of the interior. Most decisions that followed were practical: how people would sit, how noise moves in a busy