Abhishek Sharma’s latest couture collection, Ratiaranya , was presented in New Delhi in December through a format that resisted spectacle. Shown at The Upper House by Tivoli, the presentation unfolded as a contained experience, allowing the work to be read closely rather than consumed quickly. The collection draws from emotional states rather than overt narrative. References to awakening, desire and instinct appear subtly, carried through texture, form and movement instead of

At The Dhan Mill in New Delhi, the new Gazal Gupta flagship opens like a quiet revelation. The entrance, flanked by two whimsical dog sculptures, sets the tone for a space that doesn’t announce itself loudly but settles around you with the calm assurance of a place shaped by intention. Once inside, the soaring vaults, lime-washed surfaces, and monochrome marble floors establish an atmosphere that feels part palace, part contemporary atelier—rooted in memory yet distinctly mod

If couture is a conversation between the grandeur of the past and the glamour of today, then Falguni Shane Peacock's latest collection,...