Kess has arrived in the UK, and if you have been looking for a reason to finally edit down your makeup bag, this Berlin-born brand makes a convincing case for it. Founded in Germany's creative capital, the brand is built around multifunctional formulas that are designed to replace several products rather than add to the pile, with a minimalist design aesthetic that feels entirely at home in the current beauty conversation around doing less, better.
To mark its 145th anniversary, Seiko has introduced a new member of its Presage Craftsmanship Classic Series that places one of Japan's oldest ceramic traditions at the center of a contemporary watch dial. The Seiko 145th Anniversary Limited Edition Craftsmanship Classic Series Arita Porcelain in Ruri Blue is limited to 1,500 pieces worldwide and is available to pre-order now at £1,600.
To mark its 145th anniversary, Seiko has introduced a new member of its Presage Craftsmanship Classic Series that places one of Japan's oldest ceramic traditions at the center of a contemporary watch dial. The Seiko 145th Anniversary Limited Edition Craftsmanship Classic Series Arita Porcelain in Ruri Blue is limited to 1,500 pieces worldwide and is available to pre-order now at £1,600.
Fifty pieces. A. Lange & Söhne's latest release, the Cabaret Tourbillon Honeygold, is limited to fifty pieces and showcases the brand's tourbillon expertise, proprietary Honeygold alloy, and precise dial craftsmanship.
Sutapa Banerjee has spent over thirty years in financial services, board governance, and behavioral insights. She sits on the boards of Zomato, Godrej Properties, and Polycab. She wasrecognizedd as one of the Top 20 Global Rising Stars of Wealth Management by the Institutional Investor Group in 2007 and shortlisted among the 50 Most Powerful Women by Fortune India in 2012. When someone with this kind of biography edits a book about corporate responsibility in India, you pay a
The first is that modern abstract art is doing something real and the people who made it were often thinking very seriously about what they were trying to do. The second is that the market for this art has almost nothing to do with the art itself and operates on entirely different principles. Understanding both parts does not require any particular background in art history. It requires only the willingness to take the question seriously.
There is a relationship between art and fashion that has been described so many times and in so many ways that the description itself has become a kind of reflex, something reached for automatically whenever a designer name-drops a painter or a museum stages a collaboration with a luxury house or a runway show is held in a gallery space with catalog essays written by curators who are very careful about how much of their credibility they are lending and to whom.